Anaïs Nin Quotes That Will Inspire You to Live Your Best Life

1. And sometimes I believe your relentless analysis of June leaves something out, which is your feeling for her beyond knowledge, or in spite of knowledge. I often see how you sob over what you destroy, how you want to stop and just worship; and you do stop, and then a moment later you are at it again with a knife, like a surgeon.What will you do after you have revealed all there is to know about June? Truth. What ferocity in your quest of it. You destroy and you suffer. In some strange way I am not with you, I am against you. We are destined to hold two truths. I love you and I fight you. And you, the same. We will be stronger for it, each of us, stronger with our love and our hate. When you caricature and nail down and tear apart, I hate you. I want to answer you, not with weak or stupid poetry but with a wonder as strong as your reality. I want to fight your surgical knife with all the occult and magical forces of the world. Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932

2. Anxiety is love's greatest killer. It makes others feel as you might when a drowning man holds on to you. You want to save him, but you know he will strangle you with his panic.

3. Everything with me is either worship and passion or pity and understanding. I hate rarely, though when I hate, I hate murderously. For example now, I hate the bank and everything connected with it. I also hate Dutch paintings, penis-sucking, parties, and cold rainy weather. But I am much more preoccupied with loving. Henry and June: From "A Journal of Love": The Unexpurgated Diary of 1931-1932

4. He was now in that state of fire that she loved. She wanted to be burnt. Delta of Venus

5. I have such a fear of finding another like myself, and such a desire to find one! I am so utterly lonely, but I also have such a fear that my isolation be broken through, and I no longer be the head and ruler of my universe. House of Incest

6. I reserve the right to love many different people at once, and to change my prince often.

7. Last night I wept. I wept because the process by which I have become woman was painful. I wept because I was no longer a child with a child's blind faith. I wept because my eyes were opened to reality....I wept because I could not believe anymore and I love to believe. I can still love passionately without believing. That means I love humanly. I wept because I have lost my pain and I am not yet accustomed to its absence. Henry and June: From "A Journal of Love": The Unexpurgated Diary of 1931-1932

8. Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.

9. Man can never know the loneliness a woman knows. Man lies in the woman's womb only to gather strength, he nourishes himself from this fusion, and then he rises and goes into the world, into his work, into battle, into art. He is not lonely. He is busy. The memory of the swim in amniotic fluid gives him energy, completion. Woman may be busy too, but she feels empty. Sensuality for her is not only a wave of pleasure in which she is bathed, and a charge of electric joy at contact with another. When man lies in her womb, she is fulfilled, each act of love a taking of man within her, an act of birth and rebirth, of child rearing and man bearing. Man lies in her womb and is reborn each time anew with a desire to act, to be. But for woman, the climax is not in the birth, but in the moment man rests inside of her. The Diary of Vol. 1: 1931-1934

10. There are very few human beings who receive the truth, complete and staggering, by instant illumination. Most of them acquire it fragment by fragment, on a small scale, by successive developments, cellularly, like a laborious mosaic. Journals Of Anais Nin Volume 3

11. There is a perfection in everything that cannot be owned. Delta of Venus

12. Throw your dreams into space like a kite, and you do not know what it will bring back, a new life, a new friend, a new love, a new country.

13. We are more severe judges of our own acts... We judge our thoughts, our intents, our secret curses, our secret hates, not only our acts. A Spy in the House of Love

14. What can I do with my happiness? How can I keep it, conceal it, bury it where I may never lose it? I want to kneel as it falls over me like rain, gather it up with lace and silk, and press it over myself again. Henry & June

15. What I cannot love, I overlook.

16. When your beauty struck me, it dissolved me. Deep down, I am not different from you. I dreamed you, I wished for your existence. I see in you that part of me which is you. I surrender my sincerity because if I love you it means we share the same fantasies, we share the same madness.

17. A voice that had traversed the centuries, so heavy it broke what it touched, so heavy I feared it would ring in me with eternal resonance, a voice rusty with the sound of curses and the hoarse cries that issue from the delta in the last paroxysm of orgasm. House of Incest

18. At first I protested and rebelled against poetry. I was about to deny my poetic worlds. I was doing violence to my illusions with analysis, science, and learning Henry’s language, entering Henry’s world. I wanted to destroy by violence and animalism my tenuous fantasies and illusions and my hypersensitivity. A kind of suicide. The ignominy awakened me. Then June came and answered the cravings of my imagination and saved me. Or perhaps she killed me, for now I am started on a course of madness. The Diary of Vol. 1: 1931-1934

19. I despise my own hypersensitiveness, which requires so much reassurance. It is certainly abnormal to crave so much to be loved and understood.

20. I'm restless. Things are calling me away. My hair is being pulled by the stars again.

21. In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change. A Woman Speaks: The Lectures, Seminars and Interviews of Anaïs Nin

22. Societies in decline have no use for visionaries.

23. The possession of knowledge does not kill the sense of wonder and mystery. There is always more mystery.

24. We do not escape into philosophy, psychology, and art--we go there to restore our shattered selves into whole ones. In Favor of the Sensitive Man and Other Essays