Julio Cortázar Quotes That Will Inspire You to Live Your Best Life

1. Come sleep with me: We won't make Love, Love will make us.

2. Creo que no te quiero, que solamente quiero la imposibilidad tan obvia de quererte. Como el guante izquierdo enamorado de la mano derecha. Save Twilight: Selected Poems

3. Lo que mucha gente llama amar consiste en elegir una mujer y casarse con ella. La eligen, te lo juro, los he visto. Como si se pudiera elegir en el amor, como si no fuera un rayo que te parte los huesos y te deja estaqueado en la mitad del patio. Vos dirás que la eligen porque-la-aman, yo creo que es al vesre. A Beatriz no se la elige, a Julieta no se la elige. Vos no elegís la lluvia que te va a calar hasta los huesos cuando salís de un concierto. Rayuela

4. I am talking about the responsibility of the poet, who is irresponsible by definition, an anarchist enamored of a solar order and never of the new order or whatever slogan makes five or six hundred million men march in step in a parody of order. Around the Day in Eighty Worlds

5. In quoting others, we cite ourselves. Around the Day in Eighty Worlds

6. In the twentieth century nothing can better cure the anthropocentrism that is the author of all our ills than to cast ourselves into the physics of the infinitely large (or the infinitely small). By reading any text of popular science we quickly regain the sense of the absurd, but this time it is a sentiment that can be held in our hands, born of tangible, demonstrable, almost consoling things. We no longer believe because it is absurd: it is absurd because we must believe. Around the Day in Eighty Worlds

7. Lo que mucha gente llama amar consiste en elegir a una mujer y casarse con ella. La eligen, te lo juro, los he visto. Como si se pudiera elegir en el amor, como si no fuera un rayo que te parte los huesos y te deja estaqueado en la mitad del patio. Rayuela Edición Andrés Amorós

8. Thirsty for being, the poet ceaselessly reaches out to reality, seeking with the indefatigable harpoon of the poem a reality that is always better hidden, more re(g)al. The poem’s power is as an instrument of possession but at the same time, ineffably, it expresses the desire for possession, like a net that fishes by itself, a hook that is also the desire of the fish. To be a poet is to desire and, at the same time, to obtain, in the exact shape of the desire. Around the Day in Eighty Worlds

9. Wordplay hides a key to reality that the dictionary tries in vain to lock inside every free word. Around the Day in Eighty Worlds